I have enjoyed every book I have read from Interstellar Flight Press, and this one was no exception. I will probably end up buying a print copy because the vintage illustrations of the invasive species were lovely, but I feel a screen doesn’t do them justice.
This collection of poetry is infused with spiritual intention, and it’s easily one of the best poetry books I’ve read during quarantine. I’ve read and re-read it several times, following my first Writing and Ritual workshop with Janaka Stucky and Pam Grossman.
This is a tremendous collection for poets, those concerned with matters of the spirit and soul, and where those two identities converge.
I’m a huge fan of Nicole Oquendo, & I have loved everything published by Bone & Ink Press. This collection is, like many of Oquendo’s chapbooks, a themed collection of hybrid work (I’ve taken to calling their work “proems” because they live in the liminal space between poetry, prose, & magic spell/invocation).
This book is really unique — it’s one big fabulist poem, separated into movements, kind of reminiscent of Erin Belieu’s Black Box. The overall conceit is a circus show, the idea of “running away to join the circus” & each movement examines recurring themes, like desire, identity, & loss — specifically, the loss of an insular community — your own band of circus performers.
Is Many Restless Concerns a conceptual literary work? Collection of threaded persona poems? Historical-fiction-in-verse? Narrative poem? All these definitions are accurate, & none capture completely what Many Restless Concerns “is.”
You know that one book that knocks the air out of your lungs? The one that teaches you all sorts of things on a craft level, & makes you grind your jaw in utter admiration & (respectful) envy because you wish you’d written it? The one that makes you determined that the next thing you write is going to be *on their level*? You know that book?
Yeah. This is THAT book.